Lawyers' Poker: 52 Lessons That Lawyers Can Learn From Card Players by Steven Lubet

Lawyers' Poker: 52 Lessons That Lawyers Can Learn From Card Players by Steven Lubet

Author:Steven Lubet
Language: eng
Format: mobi
Tags: Litigation, Trial Practice, Law, Legal Profession
ISBN: 9780195369014
Publisher: Oxford University Press
Published: 2006-05-24T21:00:00+00:00


l e s s o n 2 : Taking Their Measure

What is the most important information in a poker game? You might think it would be the cards—are they rags or the nuts, or somewhere in between? But that would be wrong. In 138 fact, the cards are strictly secondary, really little more than

mthe tableaux against which the game is played. The more important information concerns the players themselves. Are they tight or loose? Can they be bluffed into folding or, better yet, drawn deeply into a hopeless pot? Will they overplay their hands, or are they too timid to go all in? Are they greedy, gullible, patient, or slick? With that sort of information, you can usually win even with bad hands and beat your opponents (in the long run) no matter what they hold—which is why Yardley was fond of saying that he played his opponents, not the cards. Or, to paraphrase Shakespeare, the key is not in our cards, but in ourselves.

You have to understand your opponents—indeed, you have to be able to see through them—in order to win consistently at either poker or law. In his book Total Poker, the British journalist David Spanier used a vignette from a film to illustrate why sizing up your adversary is crucial to success. As Spanier explained, “[T]he best film about poker, curiously enough, isn’t about poker at all. It’s The Hustler (1961), which is about pool playing.” Evaluating the opposition is a universal skill.

Based on a novel by Walter Tevis, The Hustler is the story of Fast Eddie Felson (played by Paul Newman), a young pool player on the make. Eddie is determined to establish his reputation by beating the famed Minnesota Fats, but first he needs to raise a stake by winning some money in a small-town dive. As the film opens, we see Eddie and his pal Charlie entering a slummy bar. The two men begin drinking and playing pool, loudly pretending to be drunk. Eddie loses game after game, attracting attention with his ostentatious complaints, until he somehow manages an impossible threecushion shot that ends when the ball runs the length of the 139

table and into the corner pocket. m

“You couldn’t play that shot again in a million years,” says Charlie.

“I couldn’t?” sneers Eddie. “Set ’em up again the way the were before . . . bet ya twenty bucks.” Eddie tries the shot again, but he misses badly. In fact, the cue ball flies off the table, as the locals get a good laugh. “Set ’em up again,” insists Eddie, but Charlie will have none of it. Stumbling a bit, Eddie angrily slams his money down on the table, demanding to play again. He seems to be challenging Charlie, but of course he is looking around the bar for a mark.

Eddie notices something in the bartender’s eye and realizes that he’s found his man. He takes out $100, and the barkeep eagerly announces that he will take the bet if no one else will.

“Don’t bet any more money on the damn fool shot,” warns Charlie, heading for the door.



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